Bob Fosse, Posterized

Today would have been Bob Fosse's 82nd birthday if he hadn't smoked and sexed himself to death while choreographing dirty musical numbers and flirting with angels of death in Nineteen-Seve... oh wait, I'm thinking of Joe Gideon, his All That Jazz altar ego. Fosse died of a heart attack at 60 in 1987. He's best remembered today as the most important choreographer of the 20th century this side of Martha Graham, totally affecting everything that came after him. But he was also a brilliant film director and in the realm of cinema he rarely gets his due. When great actors die young they often become legendary. When great directors die after just a handful of movies, not so much... especially if they made their mark in the musical genre.

Fosse acted and danced in other movies but these are the six filmed entertainments he directed. All are worth seeing and two are among the greatest films ever made.

Sweet Charity (69) | Cabaret (72) | Liza With a Z (concert telefilm, 72)

Lenny (74) | All That Jazz (79) | Star 80 (83)

How many have you seen? If the answer is less than six, do yourself a huge favor, and put them on your rental queue. Have a Fosse completist festival at home. You won't be disappointed. And maybe you'll even wonder why he's not lumped in with the biggies when people talk about the great 70s directors. I know I do.

I like Rob Marshall's Chicago (2002) just fine but it's hard not to think about what Fosse's version would have been like. And if they do remake Damn Yankees like they keep saying they will, will they keep his awesome choreography, or chuck it and go with unskilled dancers in the big roles?

God... it's so great when you can see entire bodies in dance scenes.
Almost no filmmakers understand this anymore.

If you've seen all of Fosse's films, why not a double feature of Damn Yankees! (1958) and All That Jazz. Think about it: In the former you can watch Fosse and the legendary Gwen Verdon together (like in the scene above) and then in the latter you can watch Roy Sheider and Leland Palmer pretend to be them, acting out their very difficult relationship with Oscar calibre aplomb.

As a takeaway please enjoy Bob Fosse doing a minute of Fosse-isms in 1953's Kiss Me Kate.



Incidentally, that musical was in 3D. I actually saw it in 3D the very first time I saw it at a special showing in the 80s (there was a mini 3D fad ... i think it lasted about a year and half round about 1984 or something?). I'm reading that 3D might die out again and am crossing my fingers that history repeats itself. I like my movies flat. The best performers burst out of the screen in multiple dimensions anyway. You don't need glasses to witness those miracles. Now if only they'd give me film grain back... if anyone ever tries to clear the grain from Cabaret it won't even remotely be Cabaret, you know?
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