United States of Tara and the Deceitful Netflix Envelope

I just received the second disc of Showtime's United States of Tara in the mail (I know, I know. Shut up. Better late than never) and noticed an odd bit of ad copy.

"Steven Spielberg created this wry cable series that follows Tara (Toni Collette)..."

Er... I know Ol' Spielberg is a beloved household name and all but bad form, Netflix copy editor types, bad form! While Spielberg's name is attached (Executive Producer), Tara is the brainchild of Oscar-winning Diablo Cody (Juno) and one ought to give credit where it's due.

P.S. I like the series so far with "Alice" being my favorite of Tara's alters -- is this because it reminds me of her slam dunk cameo in The Hours (2002)? -- and her son Marshall's "Hell House" experience being my favorite subplot. I'm enjoying the way Toni plays her multiples in a performative rather than strictly naturalistic way. This adds a nice layer to the larger thematic questions of identity building / role playing that the show appears to be building towards. I could be wrong, though. Just halfway through.

P.P.S. I find it unfortunate that after the one-two punch of Rachel Getting Married and this series that Rosemarie DeWitt may be forever typecast as The Female Protagonist's Resentful Sister Who Craves the Familial Attention That the Protagonist Wins via the Sheer Enormity of Her Mental Problems. I mean... that is a microscopic niche. That's even more problematic than Jodie Foster's narrow 'Female Protagonist Trapped In Confined Spaces' phase from a decade back. Good luck finding your next role, Rosemarie!

P.P.P.S. Now that I've seen 8 or so episodes, I'm dying to discuss it. Travel back in time a couple of years and discuss with me. Do you love it?