Showing posts with label RDJ. Show all posts
Showing posts with label RDJ. Show all posts

Thursday, September 2, 2010

Cast This: Gravity (Without Angelina Jolie)

It occurred to me a few weeks ago that I'd never mentioned Alfonso Cuarón's upcoming sci-fi epic Gravity. And here's a worrisome opportunity to do so. According to CHUD Angelina Jolie has passed on the big budget project for a second time. That type of a "no" can often doom an expensive project.

Gravity sans Jolie. What will they do?

Who will Alfonso Cuarón find to handle the heavy duty film-carrying demands of the role? The film concerns a man and a woman who are stranded in a space station. Or at least the woman iss (details are kind of unclear) The rest of the crew is dead. Robert Downey Jr has the principal male role but for whatever reason, it's a supporting gig. Gravity will rest on the female lead's shoulders. Most exciting from a filmmaking perspective is not, for me, the abundant groundbreaking CGI (as much as in Avatar) but that Cuarón wants to include long unbroken shots... one of them 20 minutes long.

Long unbroken shots are just about my favorite cinematic thing in the world after actresses so I should have mentioned this project long ago. This movie gives both. And Cuarón's already given plenty just by making Y Tu Mama Tambien and Children of Men. (Speaking of unbroken shots...)

Anyway, this has got to be a tough role to cast... and not just because of bankability issues. Not every actor would understand the shift in performance style required to carry huge metaphysical but also action-tinged sci-fi epics all by their lonesomes. Who were the last actors to do so? I guess Jodie Foster (Contact), Hugh Jackman (The Fountain), and George Clooney (Solaris) have all given that a go in their respective ways. Carrying a survival epic on your own? Tom Hanks in Castaway pops into mind... though that's decidedly earthbound. But we'll allow for him since he's also got the stranded in space thing with Apollo 13. Obviously you have to have a star people love to look at if they have to spend 90-120 minutes with primarily one face.


I always find it amusing/annoying that when big roles for women that don't seem to require a specific age range are being cast, studios always seem willing to consider any currently hot A list star of any age and virtually every 20something in town with any heat that month even though there's usually no proven bankability (which is how so many people end up starring in like 10 movies simultaneously and are never heard from again. Remember Kate Bosworth?). Studios will almost never bank on someone who once had heat and lost it despite the cold hard fact that showbiz is nothing if not a random chaotic collection of people who are walking embodiments of the cyclical nature of heat.

"Interested" lists always make me realize how rare and lucky we are as moviegoers when something accidental happens like when someone gives someone great a real shot even though they aren't perceived as "hot right now" or bankable or on every shortlist in town. Like Marisa Tomei in all of her Oscar nominated roles. She was never on the top of every list but she's so damn talented and reliably watchable. Or like Susan Sarandon in Bull Durham in '88. She had to fight to get that and then was magnificent obliterating any notions that she had already peaked. Many people even thought Streep was over in the early 90s, you know?

Who would you cast? Bear in mind we know virtually nothing about the role other than that it's a solo and the character has a daughter back on earth (so you can't skew as young as Ellen Page, or at least you probably shouldn't because why would someone leave a baby on Earth while they were space travelling?) They'll have to have chemistry with RDJ if he stays on, and they'll need to be comfortable in an effects heavy film (which is why I worry about the studio's interest in Natalie Portman. When exactly is she good in those situations even though she's often good elsewhere?). I'd be considering Gwyneth Paltrow first (I'm serious) and then probably Nicole Kidman. Hell, I'd even test Christina Ricci on account of the curveball aspect of it. There's a familiar interesting face that nobody would be expecting but that many people would enjoy and if she ever delivers big somewhere a million people are going to say "I knew she had it in her all along!". But as much as it surprises me to hear myself type it, the studio's rumored interest in Sandra Bullock makes total sense to me artistically even if they're probably only interested due to the monetary heat. Still, I can imagine her being a good match with RDJ and her uncomplicated but highly watchable acting style might actually be an assett to an effects heavy film. She's never tried one and maybe she'll want to stretch a little post-Oscar?

The possibilities are endless... aren't they?

I'll shut up now. I do go on. Your turn. Which actress would you love to see carrying a sci-fi epic for Alfonso Cuarón.
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Saturday, June 26, 2010

"There's so many people to thank..."


"...my fabulous supporting cast who gives a new meaning to the word support."


......"Bitch" ............. "Hag" ........ "I hate her so much"

[Great Moments in Screen Bitchery #960
Teri Hatcher, Robert Downey Jr & Cathy Moriarty in Soapdish]

The eternal hallowed tradition of frozen awards night grins. People do resent it... they really really resent it when Sally Field wins things!

P.S. Good luck to the producers of the Soapdish remake. The movie isn't sacred per se but good luck finding a cast like this. And how the hell you gonna do better than Cathy Moriarty as "Montana" / "Nurse Nan"? Answer: You aren't.
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Saturday, May 22, 2010

Robert and Boorman and Drew! Oh My!

Jose here.

Was Dorothy (Judy Garland) lying to us when she told us there's no place like home in The Wizard of Oz?



Judging from the way movie people are flocking back to Oz, it seems the little girl from Kansas might've missed something in her first trip.

As of today there are six, count them, films in development that have something to do with Frank L. Baum's timeless classic or the Victor Fleming film adaptation and that's not even including the much awaited stage to screen translation of Broadway blockbuster Wicked.

Everyone wants a piece of Oz and projects in development have attracted the attention of people like Drew Barrymore, Sean Astin and even the guy who made Deliverance.
But before we surrender to confusion let's go through each of the projects.

The Wonderful Wizard of Oz
Set for release in 2011, this CGI adaptation of the original book will mark director John Boorman's first foray into animation.
Call me morbid but I'm really dying to see what the man who made The Exorcist II brings to Oz. Boorman has a great eye for set pieces and his interest in fantasy is notable (to a good effect in Excalibur and to WTF in Zardoz, which coincidentally got its title from the wizard) and besides what is Deliverance if not a violent, testosterone driven interpretation of the Oz mythology? Sans flying monkeys of course.

Dark Oz
Based on a comic book the film is set to be directed by Pearry Teo and will star Pras Micheal of The Fugees.
While this one sounds interesting to say the least, I was left more intrigued by one of the comic book tie-ins called Oz Squad which has Dorothy, the Scarecrow, the Tin Man and the Cowardly Lion form a secret organization appropriately named the "Gale Force" created to protect Emerald City.
I'm usually a purist when it comes to things like these but the fact that the comic book outraged Baum scholars and has only now resurfaced as a groundbreaking work makes it sound quite enticing.
My only objection? An element in the plot called the Tik-Tok, which would make a Ke$ha appearance almost inevitable.

Surrender Dorothy
The lovely Drew Barrymore (left in all her emerald colored glory from Whip It) is set to direct this sequel from a screenplay by Zach Helm (Stranger Than Fiction). In the story, Dorothy's great great granddaughter must learn to use the ruby slippers to prevent the Wicked Witch of the West from taking over Oz.
Originally Drew was set to play Dorothy but with the screenplay in development limbo for almost a decade, the now obviously older actress might just want to stick to behind the camera duties.

Dorothy of Oz

Another CGI version, this one is based on a book by Baum's great grandson Roger S. Baum and is directed by Dan St. Pierre (who served as art director for Disney's Tarzan).
In the plot Dorothy (rumored to be voiced by Lea Michele) is sent back to Oz right after her first trip where she meets a man made out of marshmallows and a china doll.
This one is also set for release in 2011.


The Witches of Oz
The official synopsis reads:
The Witches of Oz follows the exploits of the grown Dorothy Gale, now a successful children's book author, as she moves from Kansas to present day New York City. Dorothy quickly learns that her popular books are based on repressed childhood memories, and that the wonders of Oz are very, very real. When the Wicked Witch of the West shows up in Times Square, Dorothy must find the inner courage to stop her.

Sean Astin, Ethan Embry and Lance Henriksen star.
For clips, photo source and more information about this film click here.

The Great Powerful
If you've just had enough of Dorothy, this might be the film for you.
Instead of focusing on the heroine this one is more interested in the man behind the curtain.
This film will tell the tale of the wizard's life and how he ended in Oz. Robert Downey Jr. is set to play him and when you read sources describing the wiz as a man "leading a life of charlatanry" who sounds more appropriate to play the part?
The film might be directed by Adam Shankman (hmmm) or Sam Mendes (yay and hmmm).

And yes, no news on a big screen adaptation of Wicked yet (other than the one already being filmed inside my head with Anne Hathaway and Reese Witherspoon in the lead roles).

So what's your take on all this? Are you faithful to Judy Garland or are you willing to see other Dorothys? Do you think there's something as too much Oz or is this making you salivate?

Sunday, May 16, 2010

20,000 Links Under the Sea

Daily Transom Ebert to pen memoir in high six figure deal.
In Contention looks at how Robin Hood (2010) got all mucked up in development.
Guardian an explicit erotic drama starring Emmanuelle Béart and her husband shunned by Cannes. Ugh. How will we ever see it now? They are so so pretty.
Movie|Line suggests that executives pounce on the Cannes hot ticket 101 year-old Manoel de Oliveira.


The Atlantic a tale of two comebacks: Mickey Rourke and Robert Downey Jr.
Cinema Blend
Lana Wachowski and Andy Wachowski (of The Matrix fame) may be making a hard R gay military romance drama? Interesting.
Just Jared Tarsem Singh on Henry Cavill (in his new picture The Immortals) "Hey, I'd f*** him."
A Socialite's Life Tom Munro's celebrity portrait book. If I had a gajillion dollars I'd always have these big glossy photo books lying around.
Quiet Earth nsfw clips from the new Gregg Araki flick Kaboom.
i09 Every time i even see a new clip from a Twilight movie I want to see them even less. How is this possible? Here's Dakota Fanning all red eyed and quietly evil if you're into that.

Finally, The Hollywood Reporter shares yet another project for David Fincher. This time he'll be remaking the adventure film 20,000 Leagues Under the Sea. 20,000... brings Fincher's future features in development to a grand total of 12 (according to IMDb). I guess that $125 domestic gross for The Curious Case of Benjamin Button got Hollywood all horny. The first of the dozen we'll actually see is the Facebook story The Social Network which should be completed anytime soon. Remember when David was still making music videos. Or when people thought his feature career was doomed before it began due to Alien³'s reception (so underrated) or when he couldn't get arrested at the Oscars despite making films as good as Zodiac and Fight Club. Ancient history!


Wonder how much money the studio will give Fincher for the octopus alone? Water movies are notoriously expensive to make (Waterwold... Titanic... The Abyss...) so I bet this gets an even crazier budget than Button to begin with and then we'll hear endless internet reportage about it's ballooning disastrous budget during production.

Saturday, May 8, 2010

A Link is Born

Instructables build an Iron Man arc reactor of your own
SF Gate "Is this the end of Downey Jr's greatness?" interesting peace from Mick LaSalle on taking up residents in franchises.
/Film yet another shortening of the theatrical release to home viewing window. The end is nigh and...
David Poland, always in touch with the business end, responds to this FCC ruling


flick filosopher 'damn those high society film critics!' I love it when MaryAnn gets pissed off at stupid people
Just Jared with new Inception poster and stills
Only the Cinema pays tribute to the just departed cinematographer William Lubtchansky (RIP)
Cinematical Rachel Weisz on the upcoming gender bending body horror film Invisible X
MNPP gets excited 'bout the new Gregg Araki movie Kaboom

Finally, I don't know how I missed this news in April (but then again that month. argh) but A Star is Born has been reborn again. If you've never seen this grand Judy Garland musical epic, you MUST mark June 22nd on your calendar and get the Blu-Ray of the restoration (from the original negative). Sadly, though,there's still a big chunk of it missing from the 1954 chainsaw edit it got when distributors complained that the film was too long. Damn you Hollywood powers-that-be (at the time), damn you retroactively!

I love what Robert Osbourne of TCM says
"As effective as Judy Garland is singing 'The Man That Got Away' in any medium, there's nothing like seeing her singing that song three stories tall, in Technicolor."
I can only imagine. I've only seen it on DVD and it's already one of my top five favorite song performances in the history of the cinema.

Friday, May 7, 2010

Iron Men

Last week, we prepped for the summer movie season by pondering good times at the multiplex with summer playthings Tony Stark and Carrie Bradshaw (Sold Separately!). Sarah Jessica Parker will make us wait as Carrie is fashionably late; Three more weeks until she flicks her witty tongue, tosses that glorious mane, and buys several more pairs of shoes. Robert Downey Jr's billionaire weapons manufacturer, on the other hand, has already returned. With IRON MAN 2 playing to sold out crowds everywhere there's no more wondering what the summer movie season will look like.

Not that it was ever anything like a secret what Iron Man 2 would offer up. This blockbuster's shiny surface reflects Hollywood's sequel mandate back at us. Their answer is always 'more! more! more!' before anyone has asked a question.


Return and report... Did you like the movie's more more more credo? And how about Mickey Rourke's post-Wrestler turn?
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