Showing posts with label Cast This. Show all posts
Showing posts with label Cast This. Show all posts

Thursday, September 2, 2010

Cast This: Gravity (Without Angelina Jolie)

It occurred to me a few weeks ago that I'd never mentioned Alfonso Cuarón's upcoming sci-fi epic Gravity. And here's a worrisome opportunity to do so. According to CHUD Angelina Jolie has passed on the big budget project for a second time. That type of a "no" can often doom an expensive project.

Gravity sans Jolie. What will they do?

Who will Alfonso Cuarón find to handle the heavy duty film-carrying demands of the role? The film concerns a man and a woman who are stranded in a space station. Or at least the woman iss (details are kind of unclear) The rest of the crew is dead. Robert Downey Jr has the principal male role but for whatever reason, it's a supporting gig. Gravity will rest on the female lead's shoulders. Most exciting from a filmmaking perspective is not, for me, the abundant groundbreaking CGI (as much as in Avatar) but that Cuarón wants to include long unbroken shots... one of them 20 minutes long.

Long unbroken shots are just about my favorite cinematic thing in the world after actresses so I should have mentioned this project long ago. This movie gives both. And Cuarón's already given plenty just by making Y Tu Mama Tambien and Children of Men. (Speaking of unbroken shots...)

Anyway, this has got to be a tough role to cast... and not just because of bankability issues. Not every actor would understand the shift in performance style required to carry huge metaphysical but also action-tinged sci-fi epics all by their lonesomes. Who were the last actors to do so? I guess Jodie Foster (Contact), Hugh Jackman (The Fountain), and George Clooney (Solaris) have all given that a go in their respective ways. Carrying a survival epic on your own? Tom Hanks in Castaway pops into mind... though that's decidedly earthbound. But we'll allow for him since he's also got the stranded in space thing with Apollo 13. Obviously you have to have a star people love to look at if they have to spend 90-120 minutes with primarily one face.


I always find it amusing/annoying that when big roles for women that don't seem to require a specific age range are being cast, studios always seem willing to consider any currently hot A list star of any age and virtually every 20something in town with any heat that month even though there's usually no proven bankability (which is how so many people end up starring in like 10 movies simultaneously and are never heard from again. Remember Kate Bosworth?). Studios will almost never bank on someone who once had heat and lost it despite the cold hard fact that showbiz is nothing if not a random chaotic collection of people who are walking embodiments of the cyclical nature of heat.

"Interested" lists always make me realize how rare and lucky we are as moviegoers when something accidental happens like when someone gives someone great a real shot even though they aren't perceived as "hot right now" or bankable or on every shortlist in town. Like Marisa Tomei in all of her Oscar nominated roles. She was never on the top of every list but she's so damn talented and reliably watchable. Or like Susan Sarandon in Bull Durham in '88. She had to fight to get that and then was magnificent obliterating any notions that she had already peaked. Many people even thought Streep was over in the early 90s, you know?

Who would you cast? Bear in mind we know virtually nothing about the role other than that it's a solo and the character has a daughter back on earth (so you can't skew as young as Ellen Page, or at least you probably shouldn't because why would someone leave a baby on Earth while they were space travelling?) They'll have to have chemistry with RDJ if he stays on, and they'll need to be comfortable in an effects heavy film (which is why I worry about the studio's interest in Natalie Portman. When exactly is she good in those situations even though she's often good elsewhere?). I'd be considering Gwyneth Paltrow first (I'm serious) and then probably Nicole Kidman. Hell, I'd even test Christina Ricci on account of the curveball aspect of it. There's a familiar interesting face that nobody would be expecting but that many people would enjoy and if she ever delivers big somewhere a million people are going to say "I knew she had it in her all along!". But as much as it surprises me to hear myself type it, the studio's rumored interest in Sandra Bullock makes total sense to me artistically even if they're probably only interested due to the monetary heat. Still, I can imagine her being a good match with RDJ and her uncomplicated but highly watchable acting style might actually be an assett to an effects heavy film. She's never tried one and maybe she'll want to stretch a little post-Oscar?

The possibilities are endless... aren't they?

I'll shut up now. I do go on. Your turn. Which actress would you love to see carrying a sci-fi epic for Alfonso Cuarón.
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Thursday, August 5, 2010

"Running Up That Hill" Turns 25

It might be the single greatest song of the 1980s. It went a little something like this...



"Let's exchange the experience"... whew. That dance might be the most hypnotic-erotic fully clothed one in any music video, yes?

Everything about this video and song (the latter of which was released in the UK 25 years ago today) is perfect. The song has been covered a gajillion times since its release though oddly, you don't here it much in the movies or on TV. The Kate Bush song that the filmed arts have latched onto and beaten like a dead horse is "This Woman's Work."

To say that Kate Bush is a musical genius is as redundant as saying that right at this moment you're reading this sentence. Many musicians after her were influenced (Tori Amos, Paula Cole, Björk... the list is long) but there will only ever be one Kate. For a super long time when anyone asked me what my favorite album of all time was I would say "Hounds of Love" without having to wring my hands too much over the potentially difficult question.

Was it the hair?

Back in the late 80s I wanted to see a Kate biopic with Mary Steenburgen playing her. And then in the 90s when the great Miranda Richardson starred in Kate's video project The Line, The Cross and the Curve I suddenly dreamt up a whole epic Kate movie again.


Daft English lasses!

Sadly no Kate Bush movie ever materialized and I'd since forgotten that I ever wanted one. But I do! I can even play "Symphony in Blue" on the piano, no joke.

Which pop stars do you most want to see with biopics? Which actress could do Kate justice today?

Tuesday, July 13, 2010

Cast This! 25th Anniversary of Live-Aid

As you know I like to track anniversary dates but somehow it had slipped me by that today it's been 25 years since Bob Geldof (pictured left) convinced a gajillion rock stars to sing for free to feed Ethiopia. Everyone showed. I don't really know the history of the benefit concert in general but this felt like the first one to me. Ah, the naivete of youth!

MTV, who would know such things, recalls the numbers. Here's a list of everyone who took the stage. Insanity. Imagine if you were making a biopic about this event, who you'd have to cast? I guess biopic isn't the right term. Historical epic! But whatever.

It was epic. I mean Queen, Mick Jagger & Tina Turner, Madonna





Whew...

Icons.

So, let's play Cast This!

Here's a visual chart of a some people pulled semi-randomly from the event that I thought might be fun to cast. If you're too young to recall these people -- not everyone can be Madonna and maintain ubiquity for centuries -- cast by their faces.


From left to right that's: Bob Geldof (your star!), Adam Ant, Madonna, Freddie Mercury of Queen (whatever happened to his biopic? There was one in development). Second row: Joan Baez (played by Julianne Moore sort of in I'm Not There), Sade, Bryan Ferry and Chrissie Hynde of the Pretenders. Go!
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Saturday, June 5, 2010

Cast This! "Scar Night"

The Film Experience book club is returning. Hell, I figure I'm turning the pages anyway. Reading is a great subway activity and we New Yorkers spend much time on subways. So why not hold those monthly weigh-ins with readers about 'who should play who?' in imaginary movie versions of novels. We've done this a few times in the past: the historical fantasy The Curse of Chalion, the corporate satire/drama Then We Came to the End and one play August: Osage County. The latter turned out to be one of the biggest comment threads ever (109!) at TFE .

So, the next selection will be Scar Night by Alan Campbell. I'm about a fifth of the way in and have already met enough interesting characters to make it a worthwhile casting discussion. So, if you like fantasy novels, pick it up and read this month. We'll discuss casting on Wednesday, June 30th. This is a debut novel which takes place in the chained city of Deepgate (it's a bit steampunk flavored) and stars two very different angels (the last of their kind), a sinister theocracy, and all sorts of secretive unsavory business and dark magic. An intriguing read so far.

We'll discuss casting on Wednesday, June 30th.