Tuesday, May 25, 2010

Linkily Every After

Movies Kick Ass how the Palme D'Or is not unlike the Oscar, thought its partisans will protest
Movie|Line interviews one of our favorite people in the movieverse, Ari Graynor
TOH! Will Luke Evans be the next big thing once Tamara Drewe opens?
/Film Mark Romanek has completed work on Never Let Me Go. It's due October 1st.
Acidemic would like you to stop judging Lindsay Lohan. Her downward spiral is none of your concern


Total Film has the 21 most storied, insane movie shoots. I refuse to scroll through 21 pages to read it (a blight on all the traffic whores out there!) but I'm guessing you get some Werner Herzog (Aguirre: The Wrath of God) and Coppola's Apocalypse Now therein. Those jungle movies are brutal on filmmakers and cast
Subway Cinema Asian Film Festival in NYC very soon. Lots of exciting stuff including the NYC premiere of the award winning Bodyguards and Assassins [prev post]
Pfangirl has a lengthy look at the superhero genre, where it's been and where it's going. This is the DC edition. Marvel later this week.
Empire Soapdish (1991) is jumping on the remake train along with everyone else. Good luck to however has to top Cathy Moriarty's bitch goddess this time around
Golden Trailer Awards that's happening in June. I don't really understand their nominees but whatevs

Shrek Forever After?
I "love" that the tagline is the final chapter but the movie's actual title promotes Shrek in perpetuity. That's a nightmare ending for me since I hate that lazy green franchise. I am still dumbfounded that Dreamworks suddenly learned how to make good animated films (Kung Fu Panda & How To Train Your Dragon) in its aftermath. Usually studios try and repeat successes rather than find a way to make films that are way better than them. You'd think they would have tried to repeat its success rather than tried to be Pixar (a far worthier goal) given that Shrek films make more than Pixar films (a sad audience-damning truth). So HAPPY ENDING, however improbable. I do so love How To Train Your Dragon. Anyway, Erik Lundegaard looks at Shrek's franchise box office and understands, unlike Hollywood, the math that goes into sequel numbers. Opening weekend is never about the movie you're seeing but about the one before it... provided that there is one before it. If there's not it's about the marketing. Meanwhile Tim at Antagony & Ecstasy shares my fear that this won't be anything like The End
The ostensibly final film in the Shrek franchise (which I'll believe the moment that everybody involved is dead, and not a second before)
He goes on to say that the movie isn't half bad. for this sort of thing. But definitely half bad all the same!

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