"The Ghost Writer" Haunts Europe. Can it Win American Oscar Nods?

The European Film Awards were held yesterday in Estonia's capital Tallin (next year the ceremony will be in Malta). Roman Polanski and Ewan McGregor both appeared via the wonders of the internet (you may have heard Polanski doesn't travel much) to accept for The Ghost Writer. The mystery thriller about a politician under fire and the two sorry writers who attempt to ghost his memoirs is filled with twists. It opened way back in March 2010 but it's apparently not done surprising us. Against the odds, it's been resurfacing in the awards conversation... and not just here. It took home a record-breaking 6 prizes, only losing "people's choice".

The previous EFA record holders, according to Screen Daily, were Spain's Talk to Her (2002) and Germany's Goodbye Lenin (2003) both of which, we foreign film Oscar obsessed must note, notoriously missed out on Oscar's Foreign Film category in their years (albeit for different reasons).

The European Film Awards aren't an Oscar precursor in the traditional way of thinking about these things but could we see The Ghost Writer with a stray Oscar nod or three come January's end? And if so, which? (Adapted Screenplay? Score? Art Direction? *gulp* Pic or Director?) Discuss.

The Euro Winners

• Picture The Ghost Writer
• People's Choice Jaco van Dormael's Mr Nobody 
• Co-Production Award  Zeynep Özbatur Atakan
• Achievement in World Cinema Gabriel Yared (Juliette Binoche was the surprise presenter of this award to The English Patient composer)
• Lifetime Achievement Bruno Ganz
• Discovery Lebanon
• Director Roman Polanski, The Ghost Writer
• Actor Ewan McGregor, The Ghost Writer
• Actress Sylvie Testud, Lourdes
• Animated Feature Sylvain Chomet's The Illusionist
• Documentary Feature Patricio Guzmán's Nostalgia for the Light
• Screenwriter & Roman Polanski, The Ghost Writer
• Cinematography Giora Bejach, Lebanon
• Editor Luc Barnier & Marion Monnier, Carlos
• Composer Alexandre Desplat, The Ghost Writer
• Production Designer Albrecht Konrad, The Ghost Writer

I'm sure there will be many claims that this a "political" message given Polanski's legal troubles with the US which have been in the news again a lot this year. And though politics can truly never be extricated from any awards show (even preferring decidedly apolitical movies is in its own way, a political stance) at least some of The Ghost Writer's past and future honors out to be attributed to the fact that it's a fine movie.

Who can The Ghost trust? No one.

I shall update this post if I can find good photos since the evening held appearances from France's Binoche (love) and Denmark's Nikolaj Lie Kaas (also love) among other international film notables.

Related Articles EFA Nominations & "Best in Show: Olivia Williams"

Flashback: Best of the 90s (Pt. 2)

Start with Pt 1 of this 90s Flashback... if you're confused about what's going on. To make a long story short, I'm excerpting items from an old zine I wrote in Spring 2000, during the first year of the website. Yes, I was originally juggling too many things. Why that's not like me AT ALL.

We previously covered my dated lists for Actors, Supporting Actresses and Supporting Actors -- lists I don't agree with in full anymore (though the supporting actresses list I quite like still). So now we move on to Picture and Actress.

Best Actress
Top ten chronological order. What follows is original text from the magazine, with the winner in bold text. I had purposefully excluded 1999 which is why you don't see Kate Winslet for Holy Smoke or Hilary Swank for Boy's Don't Cry though here's what I wrote about Swank in that same zine...

I'm rooting for Swank on Oscar night. But I must express concern that she could turn into Elisabeth Shue and only have this one great role in her.

Ha. I was right but it's funny in retrospect to have proof that I had no animosity at all (I love Shue). I mean I wasn't giving the Swankster mean nicknames or spoofing my own hatred of her and I was actually rooting for her to win that first time. It was that damn disingenuous "girl from a trailer park" campaigning and the second win that rubbed me in directions wrong and wrongest. [sic]

• Anjelica Huston, The Grifters (1990)
  Her daring unsympathetic work tore through the screen.
• Jodie Foster, The Silence of the Lambs (1991)
  Clarice Starling is one for the history books.
• Susan Sarandon & Geena Davis, Thelma & Louise (1991)
  I'm loathe to separate this duet, so I shan't.
• Michelle Pfeiffer, Batman Returns (1992)
  Meow. Her funniest most magnetic star turn this decade.
• Emma Thompson, Howards End (1992)
  She shone as the passionate but centered Margaret Schlegel
• Juliette Binoche, Three Colors: Blue (1992 [sic] it was actually 1993. I think I was avoiding a certain 1993 problem in my head! read on.)
  A mystifying transcendent performance.
• Holly Hunter, The Piano (1993)
  One of our finest comic actresses in her best dramatic work.
• Elisabeth Shue, Leaving Las Vegas (1995)
  No one knew she had this in her but I'm glad she did.
• Frances McDormand, Fargo (1996)
  An expert comic performance that owns the great film.
• Helena Bonham-Carter, Wings of the Dove (1997)
  She gets better and better and this is the top.

Hmmm. Looking back I'm confused why Julianne Moore [safe] isn't listed. I was also a bit surprised that Meryl Streep's Postcards From the Edge didn't factor in but then I remembered that it took quite some time before Meryl Streep's "Suzanne Vale" started threatening to be my favorite of her character gallery.

1993 was too good a year in Best Actress. Too many riches.

And I'm a touch surprised to see Juliette Binoche there though I think the performance is a hypnotic icy marvel. The film was released in the States in 1993 which means that I'd have to bump Michelle Pfeiffer from The Age of Innocence off of my best actress 5 that year (*sniffle*) which would leave me with Holly Hunter, The Piano (winner) and nominees: Angela Bassett, What's Love Got to Do With It; Juliette Binoche, Three Colors: Blue; Stockard Channing, Six Degrees of Separation and Emma Thompson, Much Ado About Nothing (previously discussed) none of whom I am able to part with. Sorry 'Chelle! It hurts me more than it hurts you.

Best Picture
[Chronological Top Ten. Winners in bold red. What follows is original text. 1999 I had originally excluded as it had just ended and I was still deciding on "bests" for that year.]

Heavenly Creatures and Porn Stars

• Beauty & The Beast (1991)
  Best cartoon of the decade. The genre has thankfully exploded since this.
• THELMA & LOUISE (1991)
  Eternal thanks fo Ridley, Callie, Susan & Geena. Best road trip of the decade.
• Husbands and Wives (1992)
  Allen's best film of the 90s. Its status will grow in time, trust me.
• Trois Coleurs (1992-1994)
  Have this experience! Kiezlowski's enthralling spiritual trilogy.
• THE PIANO (1993)
  Jane Campion's painterly erotic masterwork.
• Schindler's List (1993)
  I hate to include Spielberg but he actually deserved the kudos on this one. (recently discussed at the blog)
• Heavenly Creatures (1994)
  Peter Jackson's surreal mood juggling giddy nightmare.
  
• Dead Man Walking (1995)
  Tim Robbins enthralling and enormously moving death row drama.
• Boogie Nights (1997)
  P.T. Anderson's mega-entertaining superbly acted porn-opus.
• Wings of the Dove (1997)
  Vastly underrated James adaptation by Iain Softley and a trio of fine actors.

The "runners up" listed were Edward Scissorhands, Howards End, Pulp Fiction, Queen Margot, Babe, Fargo and The Truman Show. And my three favorites of 99, listed elsewhere in the zine were Being John Malkovich, Run Lola Run and All About My Mother. (I've always enjoyed Lola but I didn't remember it as that high up!)

Some notes: It appears that I was in love with the word "enthralling" in Spring 2000. I guess I could not choose an adjective for Heavenly Creatures so I just went with all of them. I was also, not yet dead set against "ties". The Piano (see my review) now holds the throne on its own and those porn stars, waitresses on the run and murderous teen girlfriends continue to sit nearby as ladies in waiting to "Best Film of the 90s." (And yes, I do still think Beauty & The Beast is the best animated film of the 90s. Sorry Toy Story and Princess Mononoke) The rest of the list would need a seriously rethink or overhaul.

And if that weren't enough -- you're all "please stop. It's 2010!" yeah, yeah, we'll get back to it -- here were some other fighting words back then. Original Text follows. I can't totally stand by all of this since it's 10 years ago that I wrote this and I haven't seen at least half of the films since. Plus, I seemed to have had a distinct distaste for films with negative messages. But here's what I wrote ten years ago...

The World is Stone Pt 1 (Unjustly aborted movie children i.e. the most underrated films of the 90s.)

• One True Thing
  Dismissed as just a fine Streep film. Sorry, try again. Just a fine film.
• Velvet Goldmine
  Time has lifted [safe] to grand cinema status. Same thing will happen to Todd Haynes' most electric film.
• Strange Days | Nell | The Ref
  Not classics but severely and rudely underrated.
• Queen Margot
  This film floors me. Luscious. Epic. Incredible.
• Twin Peaks: Fire Walk With Me
  You might want to hate it but you'll learn to love it.
• Truly Madly Deeply
  A rarely insightful look at the mourning process with two terrific lead performances.
• Batman Returns | Mars Attacks
  Burton's least appreciated. Funny and clever films.
• Living Out Loud | Home for the Holidays
  The first was widely shrugged off, the second universally hated. I'll never get why. Holly Hunter is perfection in both.
• Men Don't Leave
  An emotional stunner with Jessica Lange in top form.
• Romeo + Juliet
  The media tried to reduce it to "Shakespearean MTV" when it's a visually inspired experience. DiCaprio and Danes briefly gave Young Hollywood a good name.

The World is Stone Pt 2 (spoiled brats - overrated films of the 90s)

• LA Confidential
  Didn't anyone else find the ending a major cop out?
• Deconstructing Harry
  One of Woody's worst. Childishly vicious.
• Henry Fool
  A revered arthouse film that's so pretentious I felt like tearing at my skin.
  
• Forrest Gump | Saving Private Ryan
  Two ultra adored patriotic Tom Hanks blockbusters with scary political implications or simplified messages.
• In the Company of Men
  It's just inert as a film. Lifeless even in all its bile.
• Braveheart
  Mel Gibson's sick, homophobic, bloodthirsty operatically self-indulgent mess. Won the Oscar of course.
• Casino
  Just when I was sick to death of it, I realized it was only halfway over. Repetitious, ugly, and revered based solely upon the name in the director's chair.

Hmmm.

Many many people have told me I should love Casino (1995) as they do. Perhaps I wasn't in the right place? But I still remember the visceral hatred of it in the movie theater ... so I'm scared to go back. I rarely employ "pretentious" as a kneejerk insult now so I wonder what I'd think of Henry Fool today? I still have plenty of hate for Forrest Gump (see recent proof) and Braveheart (see recent proof) but I am confused at the dismissal of LA Confidential which is obviously a goodie.

Things I have no memory of: Hating In the Company of Men or loving One True Thing.

What were your favorite and least favorites of the 1990s back in 2000?
How is the list different now?
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Link Crazy Pt. 2: Randomness

Cinema Blend Katey Rich on Sex & The City 2's wardrobe budget "Marie Antoinette might call it a little much."
As Little As Possible Dan Zak on I Am Love "I kind of love the whole movie, either in spite of or because it is such a bald stab at profound auterism, and an exploitation of the visual mysteries of Swinton."
Peer to Peer an interesting interview piece on the decisions behind promotional materials for Red Cliff and Tilda Swinton's star turn in the glorious I Am Love
Kenneth in the (212) "If I had a gun" post = hilariously succinct evisceration of not one but two summer movies


SLatIFR interesting piece on different types of film buffs and where their limits are in terms of interest and history
The Fug Girls Juliette Binoche in The English Patient and at Cannes 2010
Hollywood Elsewhere Blue Valentine press business. I wonder about this "Cannes bounce" apparently the film is shorter now than when I saw it at Sundance. Seven minutes can make a huge difference in how a film plays. Must see it again

offcinema diversions
izasmile makes funny (well, several of them) with Bill Gates and Steve Jobs
Broadway.com makes a 'top ten stage stars of the decade' list. Unfortunately the list should be titled 'top ten film/tv stars who also do stage'. You can't really do justice to the past decade in theater without mentioning Donna Murphy or Sutton Foster

television
The networks have been busy with "Upfronts" lately which means new shows are announced (Ken Levine has advice for the newbies) and old ones are axed. Did you see that ABC is doing a riff on Pixar's The Incredibles mashed up with The Fantastic Four's origin story? It's called No Ordinary Family and mom, dad, daughter and son get superpowers from some crazyweird accident.



Uh... good luck competing with memories of the incredible The Incredibles... although it shouldn't be too hard to wipe the floor with the awful and finally cancelled Heroes.

Cannes Tweets & Treats #3: Ring Bearing, Butt Patting, and Web Brawling

more miscellania from the South of France

On a scale of one to ten, exactly how jealous is director Alejandro González Iñárritu trying to make you with his touchy feely ways?

photo src

Eleven?

He's in Cannes with his Babel follow up Biutiful starring Javier Bardem. Gael García Bernal (also being manhandled above) is not in that forthcoming motion picture but he's a jury president this year. He'll be influential in deciding which director wins the Camera D'Or which is given for first features. (Here's a pic of Gael with his jury.)

<-- Meg Ryan hits the parties & premieres with producer Lawrence Bender

But on to the tweeting. Before you read these you should read this humorous USA Today article that stars many of these critics -- Jeffrey Wells gets a lot of play because he likes to rumble -- in the rarified atmosphere of this world event fest. It's a shame that Wells has to resort to calling IndieWire writers "effete" though when he is usually so talented at creative descriptives like "hot dog eating humans". heh.

@mattnoller "BIUTIFUL sucks, but I'm not gonna punch anyone to get that point across. Weak arms, is the thing."
@ICSFilm Buitiful makes Precious look like a Disney princess movie. Unrelenting misery porn, to be sure, but committed brutal performances by all.
@AwardsDaily "The five hour CARLOS looms. Not sure I can deal."
@Laremy "My festival is a wrap. Final rankings: 1. Another Year 2. Certified Copy 3. The Housemaid"
@ebertchicago "Werner Herzog: 'For me Godard is like intellectual counterfeit money when compared to a good kung-fu film.' "
@benkenisberg "I bet Godard is a fiend for magnet poetry."
@jamesrocchi "I'm less interested in seeing Godard 2010 than finding Godard's 2010 equivalent."
@phillipstribune "At Cannes, you go from the new Godard to writing about Jennifer Hudson in a controversial biopic she hasn't made yet." [link]

Other than the catfights over Biutiful and the Godard business it's Abbas Kiarostami's enigmatic Certified Copy starring Juliette Binoche and William Shimell that seems to be stimulating the most excitable pronouncements since Mike Leigh's new picture hit the croissette.

William Shimell, Abbas Kiarostami, and the divine Juliette Binoche

@benkenisberg "Never thought Kiarostami would be the one to defibrillate the competition. Breathed a huge sigh of relief when the actors got out of the car"
@gemko "Kiarostami's CERTIFIED COPY is the first film I've seen get booed this year. Perhaps not coincidentally, it's the best film so far"
@awardsdaily "The Kiarostami was enjoyable enough - laughs here and there. But surreal - you see what you want to see, as deep as u want it 2 be. I would have loved it twenty years ago. Now it feels a bit like a waste of time, something I am running out of fast."
@guylodge "Juliette Binoche just walked past. Now THAT, as they say, is a star."

Let's end with fashion. Here are four fab foreign ladies we like to look at.

photo src

from left to right: Sandrine Bonnaire (France) I don't think I've seen Bonnaire headlining a movie since the Oscar nominated Est - Ouest (which I recommend if you like epic sweep to your woman-as-survivor dramas) and that was a decade back. She's always good; Do-yeon Jeon (South Korea) who I fell so hard for in Secret Sunshine (still unreleased in the USA). I'm eager to see her Cannes entry The Housemaid... even though people didn't love it; Rossy de Palma (Spain) is blessed with one of cinema's most impossible-to-believe faces; and superstar/jury member Aishwarya Rai (India) is blessed with... everything.

I frequent Zimbio for many of the red carpet photos I use and one of the things I find hilarious about paparazzi coverage is the random insert shots that focus on someone's body parts (look at Meg Ryan's calf!) or hands (jewelry alert!). Aishwarya, for example, is much bejewelled but I'm not sure why this is a big zero-in-on-it detail since she married fellow Bollywood star Abhishek Bachchan three years ago.

Do we really need to focus on a three year old ring when Fan Bingbing is holding her own wedding on the red carpet of the Biutiful premiere?


It's unclear who Bingbing plans on marrying. The world?

'Shut up about this sound effect woman I've never heard of' you say. But I cannot, testy reader. Even actresses with whom I am largely unfamiliar can sometimes bewitch me into transitory super fandom obsessiveness. I shall recover... for all Cannes-induced fevers break on May 23rd.

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Pictures of You

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