Showing posts with label Cate Blanchett. Show all posts
Showing posts with label Cate Blanchett. Show all posts

Wednesday, December 29, 2010

Yes, No, Maybe So Double: "Hanna" and "The Other Woman"

It's a double dip for Yes No Maybe So as we're way behind. Can't the movie world just stop for a little bit during the holidays so that we can all enjoy the movies we have right in front of us? Too many things. Too many things. Here's a girlish double and we'll get more manly in the next installment.

Let's start with The Other Woman which used to be called Love and Other Impossible Pursuits (better less generic title) starring the ubiquitous Natalie Portman. And that's ubiquitous with a capital U because, really, she's only going to get more inescapable from here on out.

The Other Woman


First there's this movie, then there's that Ashton Kuchner romcom, then Your Highness, then there's Thor (yes, 4 releases in 2011) plus the next two months of awards shows and then the wedding and the baby and so on. Is she aiming for Jolie/Pitt levels of über celebrity status? You won't be able to get away from her. You're going to look in the mirror and see Natalie Portman.


Don Roos's key successes (The Opposite of Sex and Happy Endings) were told in a unique voice (always a plus) and revealed a deft hand with actors. His frequent collaborator Lisa Kudrow (yay!) plays the first wife and I think everyone wants to know if Natalie, post-Swan even though this was shot earlier, is going to be able to up her game as she moves into her thirties.

On the other hand this looks soft, overly happy and above all unfocused (child rearing, adultery, infant death, custody battles, family bonds, the kitchen sink). It also displays this other woman and asks you to root for her to win the married man which is...unnngh. Really? But it's a trailer, and maybe this isn't at all easy to summarize. Roos, particularly in Happy Endings, was able to balance a lot of flawed characters and emotional arcs. So maybe the marketing department just doesn't know what to do with it?

Despite what seems like far too many plot points (especially for a trailer) you have to admit there's a certain amount of 'wow... this could go in all sorts of interesting emotional directions.' That is if, and it's a big if, the trailer is a false witness to the actual tone.

It doesn't look promising to me but I am curious. You?

This trailer and discussion has presumed spoilers.

Hanna



Next we have Saoirse Ronan training for kills in the woods, with the dissonant mix of modern music and fairy tale titles. Little Saoirse's eventual target: Cate Blanchett.

You can't say that Joe Wright skimps on acting talent lining up Queen Blanchett to square off against Eric Bana (daddy?) and Saoirse Ronan (baby girl?). You also can't say that he didn't earn a couple films worth of experimentation and possible failure after his first two terrific pictures (Pride & Prejudice and Atonement).

I know that the deady little girl thing is a rite of passage for all underage startlets (just ask Natalie Portman, Kirsten Dunst, Dakota Fanning and Chloe Moretz and whoever gets cast in Hunger Games) but I can't say that the child soldier thing is for me. Rooting for trained assassins is so ... unpleasant. Child assassins? Even worse. Why is it such a popular genre? And isn't the trailer giving away a huge twist. [SPOILER?] Isn't it basically saying that Saoirse is Cate's daughter and that Cate is the villain rather than the victim/target? [/SPOILER?]

Visually there are a handful of hooky images and many trailers don't succeed at that even though they all try. Maybe Joe Wright and team could provide real chills (acting) and thrills (action).

So I guess that's two Maybe Sos for me. How are you feeling about seeing either of these pictures?
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Tuesday, December 7, 2010

Five x Five

5 Funny Reads
Then fuck you, Jack Outlaw Vern on Animal Kingdom 'Australia's answer to Goodfellas'. Hilarious as always, that Vern.
Tom & Lorenzo "Kristin Chenoweth had a gayer Saturday night than we did."
The Onion "Oscar Contenders" It's all about the killer punchline.
SteveMartinToGo every so often I forget how much I love Steve Martin and then I remember while laughing. Usually I have this weird split second where I don't laugh. And then I start laughing.
Pajiba Why comic actors keep making such terrible movies. Oh, wait. This isn't funny. It's just about the funny. It's kind of sad actually.

The day WINGS won the first Oscar -hey, we discussed that one!

5 News Bits of Note
Oscars.org I'm going to love this Oscar countdown stopping in on each ceremony. Wheeee
Backstage Blogstage They're going to let the Glee cast graduate in 2012. Smart move for longevity (if the phenom show can manage longevity that is.)
Bad Ass Digest Cate Blanchett will remain Galadriel (The Hobbit casting)
Artforum it's not really "news" unless you wait for it each year and I do: John Water's Top Ten List: Jackass 3D, Dogtooth and more...
Movie|Line must-read interview with Jesse Eisenberg. He's a great candid interview but saying...
It’s hard to kind of attribute any kind of personal success to [it]. I just feel that I’ve been better in other things, so the fact that there’s so much attention on this movie in some ways is a bit jarring to me. Because I wonder what will happen if I’m not involved in something as great as this... the reception is not in accordance with what I felt I produced.
 ...probably isn't the best way to secure oneself an oscar nomination.

Just sayin'.

Thursday, November 18, 2010

Julianne vs. Cate. Plus: What's Wrong With Hugo's Face?

Have you ever seen the movie Vanya on 42nd Street (1994)? It's really quite good. The movie plays something like a fly on the wall rehearsal documentary of a stage production of Anton Chekov's immortal "Uncle Vanya." It marked the first important clue that Julianne Moore was going to be a major screen goddess (unless you count Short Cuts as just that, which some do) and it also gave Brooke Smith her first worthwhile role after achieving a kind of 'who is that she looks so familiar?' fame as "The Girl in the Pit" in Silence of the Lambs.

Two "Yelena"s: Cate (on stage) and Julianne (on film)
It's a worthwhile rental so long as you give it your full attention as it's full of intricacies and performances of quiet but potent dramedic depth.  If you're in Australia, though, you can see more than a rehearsal. You can see the real thing on stage.


VANYA ON 42ND STREET


VANYA ON PIER 4, HICKSON ROAD

Andrew Upton (Mr. Cate Blanchett) has adapted the play for the Sydney Theater Company. The cast is full of familiar Australian movie faces like Cate herself, Hugo Weaving, Richard Roxburgh (Moulin Rouge!) and this year's Best Supporting Actress hopeful Jacki Weaver (Animal Kingdom). I expect a full report from Australian readers who get a chance to see it. Do as I say! The production is currently playing and runs through January 1st, 2011.

Can Cate's "Yelena" measure up to Julianne's sublime take?

And when is Hugo Weaving going to get another worthwhile film role? Lately the movies have reduced him to a disembodied voice or cameo player in noisy "event" movies (V For Vendetta, Lord of the Rings, Transformers). His next big role is the villainous Red Skull in Captain America: The First Avenger. But given the role, we still won't really be looking at his face, will we?

And what's wrong with his face, I ask. It's got real character. Stop hiding him, moviemakers!

Wednesday, November 17, 2010

Continuing the Conversations...

Though I had a won-der-ful time on vacation, I do love the movie conversations. Some recent comments I wanted to respond to (for the patient and/or longwinded-like-me among you).

Clint totally approves of the Jodie Foster casting of God of Carnage (I agree that it's interesting and I hope she pulls it off) but I'm sure he'll be relieved to hear that Matt Dillon is no longer with the film. Not me.

Er... okay, I don't know which husband is which.

I was actually just discussing this with friends recently who had all seen the play and were kind of annoyed that John C Reilly will be playing Kate Winslet Jodie Foster's husband. He's not... handsome. Hollywood loves to pair anything from average to ugly men with ridiculously beautiful women, but it's clearly audience pandering to feed male ego fantasies: i.e. I can have / deserve to have a supermodel in my bed, no matter what I look like. It's okay once in awhile of course but all the time? Not realistic. Reilly is a very good actor but it's kind of silly when you stop to think of his screen conquests; he's already had (implied) movie sex with Julianne Moore, Renée Zellweger, Marisa Tomei, Jenna Fischer, Melora Walters, and Jennifer Aniston! Has he ever been paired with a homely woman? He's like a less cocky/noisy version of the Philip Seymour Hoffman phenomenon.

But mostly I'm just annoyed that...




...Matt Dillon never got a prestige gig or a meaty role as reward for that Oscar nomination. Most people do. And I'm also still slightly weirded out that even this play -- that was mounted with name stars -- got a complete cast overhaul. Usually when they replace a stage cast, it's because the stage cast are largely unknown to the public outside of theater fandom. You knew, for example, that Cherry Jones wasn't going to get her Doubt role on the screen or that the August: Osage County originals weren't going to transfer but Marcia Gay Harden (Oscar winner), Hope Davis and Jeff Daniels (longtime film regulars) and James Gandolfini ("Tony Soprano" himself)? These aren't unknowns.

Moving on...

I liked the comment conversation in the Silkwood post (thanks Tim) though I don't remember the bumper stickers that Deborah does from the 70s "Who Killed Karen Silkwood?" -- I was completely unaware of the politics surrounding that movie and first saw it only by way of combined Meryl/Cher fever 'round about '87/88, the next time they were both nominated. (I still find it odd that Silkwood missed a Best Picture nomination in 1983). Another controversy-friendly post from Erich ("Chicks of the Assimilated Animus") also provoked some interesting reaction and I liked Erich's defense of his own amusing/provocative list-making
Even the old and sexist templates of Freud and Jung have value as stepping off points, especially when dealing with the way our love of film icons intersects with unconscious archetypes...  dreams lag notoriously behind reality when it comes to updated social mores..
True that.

Manuel, who must have been searching that Cate Blanchett label, wonders when the great actress will try directing-- has she expressed an interest??? -- and  if we'll ever see a new film adaptation of A Streetcar Named Desire which Cate did on stage (I doubt anyone would dare. Oh god, please tell me no one would dare?) and he even free-form rhapsodizes thusly...
intelligent, gorgeous, respected, fashion icon, versatile, risky, husky voice, theater, loyal, quality, chameleon face, humble, dedicated
Though Cate is not really one of my favorites, I appreciate obsessive actressy devotions in all their diverse manifestations. If you love any actress this much, peace be with you!

DJ XRay loved Paprika Steen's performance in Applaus. You may remember I went wild for the Danish film earlier this year. UPDATE: Oscar qualifying run begins December 3rd. [thanks to Kyle for the info]. I hope it's opening in NYC in time to qualify for the Film Bitch Awards but I doubt it. Those Oscar qualifying runs usually only bother with LA. Pity that. But if you don't play in NYC -- the place for American cinephilia-- you are dead to The Film Experience.

Speaking of this site's awards. I'm all over everyone's suggestions (i.e. FYCs) for the forthcoming 11th annual Film Bitch Awards. I consider everything.

Monday, September 27, 2010

How I Feel / How I Wish I Felt


As articulated by Cate Blanchett in The Curious Case of Benjamin Button.  (Ugh, I'm seriously sick today. Someone read to me from happier-days diaries before I croak.)
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Tuesday, September 21, 2010

Haute Couture Cateure


Cate Blanchett should do another movie where she's a glamour girl, like in The Man Who Cried. She's wasting her red carpet gift on... the red carpet. No reason not to put blow that up on 70 mm, you know?
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Monday, June 14, 2010

RCL: Icy Linney, Hottie Mirren, Canadian Ryan

I couldn't sense excitement out there for my weekly random celeb lineup posts but, all the same, I have to commemorate the Tonys one last time since they were practically Golden Globe-esque last night with the TV & Film stars.

<-- Exclusive Unretouched Photo!
Tonyless veteran Laura Linney congratulates newbie ScarJo on her Tony win.
[Apparently Scarlett has never seen Mystic River or The House of Mirth. Ice cold blood puts the rose in those dimpled cheeks. Beware.]

I do want to say though, just as a corrective for what I'm seeing on the web, that The Lovely Laura Linney and Viola Davis don't fit the 'screen stars slumming it inbetween jobs' group situation that Tony voters love but stage aficionados rage against. Viola and Laura are both bonafide stage troupers. They've been doing it for years and if the movie roles ever dried up, it's likely that they'd be perfectly content to hit the boards full time. Linney, by her own admission, prefers it to screens big or small. It's just lucky for us that she can adjust her scale to fit any medium. That's not something just any actor can do. Many have tried but few are as adept at all three as she.

So let's get to dresses...

Best Dressed!

I'm not trying to be cheeky putting the original Wicked stars Kristin Chenoweth & Idina Menzel together in best dressed, I just think they deserve it. Cheno looks great in white and can work a micro dress with the best, even somehow managing non obscene pratfalls in them. Speaking of obscenity: Imagine how much Wicked could charge for tickets if Cheno & Idina were to return however briefly after their post-Wicked fame? Idina, of the less flashy personality, makes up for it with this intricate dress. I hope they took a photo together last night, but I haven't seen it if they did.

Update: They did and here it is (Thanks Emma!)


♪ ♫ It well may be
That we will never meet again
In this lifetime
So let me say before we part
So much of me
Is made of what I learned from you
You'll be with me
Like a handprint on my heart
And now whatever way our stories end
I know you have re-written mine
By being my friend... ♪


And let's hear it for two women who have decaying portraits hidden in attics on their estates: Bernadette Peters, 62, who stepped out of some greco-roman sculpture garden complete with curls, and Dame Hotness, 64, in a super flattering dark blue scooped neck gown.

One of the best moments last night was when Mirren shouted out to the people "in the gods". I had somehow never heard this expression before but it's apparently a reference to the balcony (i.e. the cheap seats).

Not So Much


I understand that Jada Pinkett Smith is a relatively fierce woman... but divatude aside, do you really wanna risk comparison to that icy hotness of one Vera Farmiga on Oscar night of all things. It's the same dress in the same color family but chopped in half for a woman who's 7 inches shorter and needs to show leg for the illusion of length. I think Blanchett is auditioning in character as DAZZLER for the next X-Men film. (Yes I made that up. Marvel still has some B list characters left before they get to Alison Blaire.) Sherie Rene Scott seemed to forget that when movie stars are invading your domain you have to pick it up a notch. I mean this is pretty but it's awfully casual when you're celebrating a personal success like Everyday Rapture at an awards show. And finally whenever I look at ScarJo's gown -- which I want desperately to like -- I hear Heidi Klum saying "It looks cheap, no?" Maybe it's the color that's making me think of a glittery dress that some young Vice President of Marketing might wear to her corporate Christmas partay.

You know Cate was all like...

'I have lots of gold but not this kind. Gimme.'

I should note that men were also walking the red carpet last night including 'Canadian Who Lives With Me' and 'That Man That's a Movie Star That I Get To Sleep With Every Night.' It's been nearly 24 hours since the Tonys and I'm still reeling at all the new ways the actresses have found to say "my husband" at awards shows. I only wish we could have heard Helen Mirren's new way of describing Taylor Hackford.

Ricky Martin, who no longer needs any euphemisms, was also present.

Ricky & The Canadian That Lives With Scarlett Johansson

Last night was ... odd.
Helen Mirren, Scarlett Johansson, Cate Blanchett, RYAN REYNOLDS

Saturday, May 15, 2010

Cate, Posterized

We did this with Streisand last month and wasn't it a neat way to snapshot an entire career? For Cate Blanchett, currently "Maid Marion Loxley" in Robin Hood, this overview wasn't as simple. She works so frequently that it had to be narrowed down. This career overview is restricted to films wherein she has a leading role or practically dominates in a barely-not-leading supporting role.

The Wedding Party (1997) | Oscar and Lucinda (1997) | Elizabeth (1998)

An Ideal Husband (1999) | The Gift (2000) | Bandits (2001)

Charlotte Gray (2001) | Heaven (2002) | Veronica Guerin (2003)

The Missing (2003) | The Aviator (2004) | Little Fish (2005)

The Good German (2006) | Notes on a Scandal (2006) | I'm Not There (2007)

Elizabeth the Golden Age (2007) | Benjamin Button (2008) | Robin Hood (2010)

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Questions for you
1. Didn't you immediately miss Lord of the Rings (2001-2003) and The Talented Mr Ripley (1999) while looking at those? Kinda makes you wonder if she was meant to glitter from the ensemble rather than go for the floating head star vehicle like a Veronica Guerin or a Charlotte Gray.
Cate: If only I weren't known as a Supporting Actress
Nathaniel: But y'are Blanche(tt), y'are.
2. How many of these 18 Big Blanchett movies have you seen?
3. Can you describe your feelings for her in 18 words or less? I never can given how much they fluctuate. Try it in the comments.

Friday, May 14, 2010

Link & Order: Special Random Unit

The Awl "10 Reasons Why You Should Give Me One More Chance This Weekend" by that bucket of charm "Russell Crowe". (teehee)
Go Fug Yourself theorizes that Cate Blanchett stole a White House carpet
Go Fug Yourself... and welcomes Cannes crazy with open arms
Catalogue of Curiousities "floating heads of doom!"
Buzz Sugar the trailer for True Blood Season 3
Mister Hipp "He can take it." I love this illustration of Wolverine. So fun


Towleroad Elton John covering Madonna hits with scandily clad go go boys. What the hell?
Towleroad my weekly column
The Portland Mercury hilarious movie marquee. Poor Terrence Howard
A Socialite's Life Christina Ricci to join Laura Linney on Broadway in September. Interesting
Playbill Antonio Banderas returning to Broadway for Kander & Ebb's Zorba
Empire strangest bedfellows ever: Charlie Kaufman + Kung Fu Panda
/Film yes I've heard about the duleing Monroe biopics: Naomi Watts vs. Michelle Williams. Just haven't mentioned them yet since they kinda deserve a whole big post. Later. Have patience.

Finally, PopEater says goodbye to Law & Order (just cancelled) with a opening credits mashup of all casts from the franchise. I know people are sad that the original flagship series is going bye-bye. But puhleze. It lives on in 3 spinoffs and endless syndication like some unholy hydra beast. I will never be able to escape it. You've won, television my nemesis, you've won! I thank the original L&O for keeping my Broadway babies fed and in rent payments... but otherwise I kick it to the curb. See, I don't think I can take one more Linus Roache or Dianne Wiest situation wherein some gargantuan talent hides their magnificence under that particular bushel. The next great that the series plans to taint is... Isabelle Huppert. Je pleure.

Wednesday, May 12, 2010

French Tweets #1: Cate, Robin Hood, Market Titles

Robert begins his daily Cannes roundup tomorrow afternoon and Julien you'll hear from soon directly from France. I'll pop in occassionally with snippets for those of you who aren't tweeting or are just plain desperate to see what Cate Blanchett is wearing.

Here are my nine favorite recent tweets from Cannes

You know @guylodge of In Contention (made breathless by the Blanchett) and Sasha from AwardsDaily well. I believe both of them are at Cannes for the first time this year. Maybe next year or the year after or the year after (when will my ship come in?) I'll be able to pop my Cannes cherry. @jamesrocchi is totally worth following if you aren't already.

Tweets from @anupamachopra on market titles (always a curious bunch of films), slashfilm (everyone seems to think this Robin Hood is problematic) and @akstanwyck from Thompson on Hollywood who asks if Russell Crowe's arrogance surprises.

Um... Is this a trick question?


@scott_tobias from the AV Club and @gemko from The Man Who Viewed Too Much share Robin Hood concerns.

But yes... yes... Blanchett. You're here for the pictures of the red carpet queen.

Cate at the photo call | Cate at at the premiere

She is beautiful in 3 dimensions, though only 2 are represented her... and in Robin Hood for that matter. (Ridley Scott could not attend the festivities due to recent surgeries so we wish him well.)

David and Go Linketh

Rants of a Diva "Cate Blanchett scares me"
ONTD Sir Ian McKellen mistaken for homeless beggar
The Pixar Blog feature film newt (2012) cancelled? Awww. I love those wee things
The Evening Class Luise Rainer at 100 years of age (!) attends a screening of her Oscar-winning The Good Earth (1937)
Fin de Cinema collects gorgeous movie posters from Cannes


The DAVIDs
Restoration Claudia Shear, who previously wrote that acclaimed Mae West play Dirty Blonde is back on stage with this drama about a woman restoring Michelangelo's The David. I saw it in previews. Good stuff.
/Film When I first heard the news that Brad Pitt would be starring in The Tiger I heard the name Darren Aronofsky and immediately replaced it with David Fincher. Which has happened to me three times now!!! And which is SO strange because I've been a fan of both since their first films. Why do I keep doing this. They're really not that much alike.
CHUD David Cronenberg's next project Cosmopolis has its starry cast.

I confess between Fincher & Cronenberg and the "will Nailed ever be finished?" stories swirling about David O'Russell and the fact that I keep removing Darren Aronofksy's name from all conversations and replacing it with one of these three, the David Projects continue to utterly disorient me. I keep getting them mixed up. The movies and the men. Let's see with the three Davids and the honorary David known as Darren we've got: The Tiger, Nailed, Cosmopolis, Jackie, The Dangerous Method, The Fighter... which one is coming when and from whom? Argh.

If your name is David or Darren or if you know anyone with those names you are required to comment on this link roundup. It's only right.
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