Catherine Deneuve and The Terrified Naked Model

Yesterday was the 67th birthday of the one and only Catherine Deneuve. As some of you know, she's one of my top ten actresses of all time. I didn't celebrate because I was too busy tinkering with blog coding. (Lots of good changes coming. Cross your fingers)

<-- Deneuve with foxy François on the Potiche promotional trail.

Here in the USA when people talk about 60something actresses, it's almost always the big M's: Mirren, Meryl. I'd argue that neither of those admittedly great talents, is still as adventurous in their movie choices as the big D "Deneuve". Deneuve is still consistently serving it up for auteurs in her late 60s. She was wondrous as the unsentimental cancer-striken matriarch in Arnaud Desplechin's A Christmas Tale a couple of years ago and in her current film, Potiche, now playing in France, she's bringing her style and comic sophistication to the latest from François Ozon. It's the second joint effort for the legendary star and the prolific gay director after the musical 8 Women (2002).

She just did an interview for the French gay magazine TÊTU. There's more on that after the jump. But be warned that it's NSFW unless your coworkers go around mooning each other. (And if so, no judgements!)

Deneuve wasn't always this keen on the gay mags. The best selling lesbian magazine Curve was launched as "Deneuve" in the early 90s but she wasn't happy about it and they had to change their name. But I suppose whatever your comfort level with anything, your name is your name is your name. Maybe if there was going to be a Deneuve magazine, she wanted it be more like Oprah's "O" (short for Onanistic). In the bottom right hand corner of the Têtu cover -- you'll have to take your eyes off Deneuve and the memorable acc assessory -- you'll see that the magazine also promises a piece on why the films of Jacques Demy resonate with the gays.

Sadly, an American gay magazine cover would never promise such a treat. American gays used to be culturally sophisticated but now we're just like everyone else and only watch reality tv.

The interview with Deneuve isn't online but if you can read French, the magazine did post an amusing interview with the cover boy Johan Akan on what's it's like to be buck naked in front of a total legend.

What's that, reader? Oh shut up you do not know; dreams don't count!

(I can't really read French either but I suspect that Deneuve had to have been even more intimidating for Johan than that robot chick who shaved him.)

Venice Red Carpet: The Town, Potiche, Meek's Cutoff

Toronto kicked off last night but before we get to our coverage there -- we'll be hearing from the same folks who covered Toronto for The Film Experience last year -- Venice is starting to wrap up. Awards will be announced before you know it.

The most 'Hollywood' Venice premiere was probably The Town which brought out the happy familiar faces of Ben Affleck, Rebecca Hall, Jon Hamm and last year's Best Actor nominee Jeremy Renner (The Hurt Locker).


Is it just me or is it always a bit odd to see Jon Hamm smiling? He's smiling so much lately and with that career you'd be smiling too. But it's so UnDraper! These townies had prophetic reason to be happy. Reviews were kind. Here's a sampling:

• Cinema Blend "bigger by nearly every measure" [than Gone Baby Gone]
  
• Newsweek "Affleck’s heist movie is part of a career turnaround so amazing that he looks like the new Clint Eastwood"

One of the most exciting things for cinephiles about film festivals is that they tend to be more auteur-focused than any other movie event.

Tykwer, Miike, Ozon and Guadagino

Tom Tykwer was promoting his latest Drei, a film about a bisexual love triangle between a long time couple and the man they both fall for (unbeknownst to each other). Obsessed With Film called it "punchy and inventive" but wasn't completely bowled over. Tykwer has yet to recapture the type of international enthusiasm that greeted his breakthrough Run Lola Run (1998) but every few years or so we get another good looking movie like Perfume or The International.

Takashi Miike makes a new movie as often as I write a blog post. At least it seems that way. He's twice or thrice as prolific as Woody Allen. The man behind violent sensations like Audition and Ichi the Killer (and many others with less staying power) was premiering 13 Assassins.

François Ozon is one of the best directors of eye candy movies in the world with a gorgeous filmography that includes 8 Women, Water Drops on Burning Rocks and 5x2 among other gems. He's also sweet to look at offscreen. I'm just saying. The gay auteur was in Venice to premiere Potiche, his latest confection starring a starry buffet for hungry francophiles: Catherine Deneuve, Karin Viard, Sergi Lopez, Gerard Depardieu, Judith Godreche among others. Yum yum. Ultimate Addict was totally entertained citing its "snappy, hilarious dialogue" and calling Deneuve "a joy to watch" though you can cut and paste that description into every Deneuve review, n'est-ce pas?

Luca Guadagnino, Tilda's I Am Love director was also in town. He's on Tarantino's competition jury. I include him because I am nuts for I Am Love and his proposed Auntie Mame remake with Tilda in the lead is the greatest movie ever made that doesn't actually exist yet. Ohmygod I want to see that like three years ago. Please make it. If only I were a multi-millionaire and could fund the project myself. This is why I should have been born rich instead of poor. I could have supported so many worthwhile creative endeavors. (Sigh)

Michelle, Tilda, Paz and the immortal Deneuve

But we mustn't forget the actresses beautifying the red carpet.

Michelle Williams is sharing a closet with Carey Mulligan? They're like twin pixie fashionistas. Michelle was in town for her role as Kelly Reichardt's (Wendy & Lucy) main muse, this time in the western Meek's Cutoff.

• Time Out London "just as rich, nuanced, mysterious and low key as anything she's made."
• Guardian "far from action packed, but still gripping."
  

Tilda Swinton appears magically wherever there are A list festivals. It's a rule of the cinema nature ...a benevolent one, too.

Paz Vega. Remember her? Would Spanglish jog your memory or have you tried to forget it?
She's in town with the Italian drama Vallanzasca.

Anyway... we could do this all day. But the question is now who will take the prizes from Tarantino's jury? Guy Lodge has predictions. Will Natalie Portman's psycho ballerina win her the Best Actress prize? Will a non-English language picture rise to the top, forcing the media to note that not all movies are from Hollywood? Venice pulls the curtains closed tomorrow.

Venice Red Carpet: Somewhere, Norwegian Wood, Miral, Reign of Assassins

The Venice Film Festival progresses. Day 4 of 11 today. So let's pretend we're there for a moment and check in. You can't have a good glitzy A list international film festival without immortals like Catherine Deneuve showing up (pictured left). Why is she shielding her eyes for she is brighter than the sun. All in all things seem to be going well. Take the premiere of Black Swan for example. Opening films don't often make that much of a splash, divisive or otherwise.

Another big question mark film of the 2010 film season is Sofia Coppola's Somewhere (trailer discussion). It's her follow up to the poorly received but delicious Marie Antoinette (2006). She's back to the present day for this film about an actor (Stephen Dorff) visited by his daughter (Elle Fanning) at the Chateau Marmont.

The reviews have been mixed but more than most filmmakers I trust not any reviews about her work. Her girlish dreamy haze tends to cloud judgment. But here are a few...

• In Contention "thoroughly beguiling"
• Evening Standard "no big dramatic moments, just a series of sequences"
• Obsessed With Film "ever bit as poignant as Lost in Translation, if not as fresh."
• Thompson on Hollywood "should play well for the young smart-house set."
  

Somewhere premiere: Sofia Coppola, Stephen Dorff, Laura Chiatta, Elle Fanning

Italian actress Laura Chiatta (The Family Friend) is also in Somewhere's cast which is why I included her here. Mostly because her lipstick is transporting me back to the early Aughts. It's all I can see. Is she wearing anything else?

I don't expect that the film will win Oscar traction (low key efforts rarely do and a late December release for a contemplative film won't help. Coppola whispers and Oscar hears only Oscar-bait shouting in the holiday months) but I'm still so excited to see it. Coppola is three for three in my book. Will this make four for four?

On to other films...

International Divas: Yeoh, Abbas, Kikuchi, Campbell

Michelle Yeoh, in town for Reign of Assassins, is a goddess. You knew that already. Her latest star vehicle was bought earlier this summer by the Weinstein Co which probably means we'll never see it (you know how they do). But since we can't look at the film, let's look at those shoes. The shoes... Gah! They're probably worth more than most people make in a year and she can probably kill those multiple assassins tailing her with them. Incidentally, Yeoh is also an assassin in the movie. What is with the cinema's complete fixation on assassins as protagonists? It's easy to understand them as villains but so many of them are actually the heroes of their movies. I shutter to think what this means about the human condition.

• Hollywood Reporter "lush visual treat... with crossover potential."
• Film Biz Asia "a rich gallery of characters
  
• Screen Daily "absorbing and entertaining."
• MovieWeb (the trailer... note: you have to watch an ad first)
  

Hiam Abbas was in Venice for the premiere of Julian Schnabel's Miral but curiously Freida Pinto, "Miral" herself, was not. Maybe she saw some unflattering reviews coming.

• Obsessed with Film "cravenly seeking approval"
• Telegraph "It’s terribly earnest, and characters often speak dialogue that resembles a history lecture"
• Thompson on Hollywood "Pinto, while gorgeous is not an expressive actress."
  

I should note here that none of the negatives lobbed Miral's way in reviews tend to be awards season negatives with Oscar, given that earnest lectures and films which needily cry for approval are fixtures of every awards season. And nobody seemed to have a problem with Freida Pinto's inexpressiveness as an actress in Slumdog Millionaire -- don't try to tell me that's a new development.We just barely dodged that supporting actress nomination I think. And it would have been one of those semi-regular headscratchers for being "the girlfriend."

Norwegian Wood, another prestige adaptation of a novel, also premiered. Rinko Kikuchi, the most famous member of its ensemble cast (credit that Babel Oscar nomination), hit the red carpet. I don't understand this look at all. But it definitely reminds me of a expensive monochromatic version of that awful ruffled confusing short skirted thing Peach turned out on Project Runway two nights back. Oh, Peach... wwyt?

• Variety "lovely but listless"
• Indie Movies Online "the story is not quite as peerlessly handled by Tran as the aesthetic presentation"

Finally, I included Naomi Campbell in this roundup because I cannot for the life of me, imagine her actually sitting down to watch movies, only strutting through flashbulbs towards them. I know she's been in a few movies but has she actually ever seen one?

Action auteur John Woo (pictured left) received the Golden Lion for lifetime achievement and was also there as co-director of Reign of Assassins (with Chao-Bin Su, who also wrote the film).

Quentin Tarantino is the head of the Venice jury so we'll see what his jury does with their cups and statues next weekend. Stay tuned.

Randomness: Drew, Deneuve, Emmys

<---- A photo from the premiere of Going the Distance that I saw at I Need My Fix. Is this pose, caught foregrounded against a rainbow subtle "Box Office" halo, some sort of sign from god that this Justin Long / Drew Barrymore romcom is going to be huge? Hmmmm. Drew is so impossible not to love but I'm hoping that one day she gets and nails a movie role as good as her Grey Gardens outing. Her movie roles are always so samey-samey and GG sure let her stretch her wings beautifully. Won't one of our A list directors give her a real big screen opportunity? The Barrymore dynasty hasn't been in the Oscar mix since, what, 1944?

Slant Magazine sizes up the Emmy rosters with should and could wins. Great read, dependably bitchy. But I must say that I think Christina Hendricks deserves the Supporting Actress win over Elisabeth Moss for Mad Men. Moss has such rich material constantly and does a tremendous job. But Hendricks is just constantly elevating the shit out of what, in lesser hands, could be one of the show's most surface characters. P.S. I don't get the hate for 30 Rock... Sure it's increasingly uneven. But it's still goddamn funny in its best moments.
The Wrap Christina Hendrick still models for friends? So cool.
Towleroad The Switch, Fela, celebrity forgiveness chart and more.
MNPP The Fog or The Mist? It's a question of the utmost importance. Condensation forever!
Dark Eye Socket a follow up to that "what do you look for in a movie?" question we were just chatting about.

And reader Patrick sent me this image of Catherine Deneuve from François Ozon's new film Potiche which will play at Venice (god, I wish I was going to the Venice Festival. This AND Black Swan?) with this amusing note "trying to to be the new Sue Sylvester..." ha.


I'd don a track suit to hang with Catherine Deneuve any day any time any where. But especially in Venice. Wouldn't you?

Have you any movie plans this weekend?
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MM@M: Deneuve & Godzilla Gamera, Cinema Giants

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Eight (Links) is Enough

Ask David Lynch I asked him a few questions today. He was sympathetic about my cat's health problems but he sure was mean / incoherent once I asked any question about myself. What will Lynch tell you?
CHUD "What if Jaws (1975) was made today?" I love this article and I absolutely believe that it would be as described. So...much...backstory nowadayzzzz
IMDb Q'Orianka Kilcher (The New World) arrested in oil related protest. We all know that oil companies (and our dumb societal resistance to developing alternate forms of energy) are going to be the death of us all so it's good to see young activists out there.
fourfour turns five. Happy birthday to an amazing blog. Rich shares his 20 favorite posts

Observations on Film Art Why are today's movies so unimaginatively shot with back and forth closeups? I'm always bitching about this so it's nice to see other people begging for variety, too. More blocking for your actors, please, directors. Try "The Cross"
The Scott Brothers on The Discreet Charm of Catherine Deneuve:

It’s that filmic resolve that sometimes gets labeled as “emotionally distant”, which is wholly unfair and misses the point of her amazing abilities as an actress.

Movie|Line Christina Hendricks removes her body parts in sci-fi music video. Honestly I think I just read a book like this. Was it Saturn's something?
Los Angeles Times the great cinematographer William A Fraker (Rosemary's Baby, Bullitt, Looking For Mr Goodbar) passes on. RIP