Showing posts with label Melissa Leo. Show all posts
Showing posts with label Melissa Leo. Show all posts

Monday, December 6, 2010

My Favorite Thing About "The Fighter" Is...

I saw The Fighter last week and didn't even deliver a "this is all the time I have" 7 word review. I have more than 7 words on this one though what follows is not a traditional review. The first thing I tweeted was...



It still applies. Yep, Christian Bale is doing his best work ever in the co-lead role of Dicky Eklund (Let's call it The Fighters) or at least his best since American Psycho (2000). Barring Geoffrey Rush's mutant power (awards magnetism) the "supporting" Oscar is most definitely Bale's to lose. And this is an important distinction: It'd be his to lose even without his baity penchant for putting his health at risk to dwindle down to anorexic nothingness for a role. This is his third time doing so. We hope it's the last.

A Tale of Two (Half) Brothers

But what's my favorite thing about The Fighters other than him?

I guess it'd be the way Melissa Leo (playing the mother to both fighters) and Christian Bale are always believably in sync as mother/son. They're practically twins with their darting hollow eyes, perpetually nervous body language and emotionally vampiric yet super vibrant energy. Would that more actors would co-author such compelling familial bonds while playing at "family". What's more, Bale and Leo have mastered the weird arms-length charisma of charming people who are simultaneously completely off-putting. Alice Ward and Dicky Eklund are the type of people you can't help but want to hang out with... but from a very safe distance, with plentiful escape routes.

Melissa Leo's on fire.
No, no. it's not that. That sympatico style is great but it's not my favorite thing about the movie.

Also worth loving is the everyman mundanity of Amy Adams and Mark Wahlberg, a somewhat perverse use of their combined star power. (Though they both have it, they're more recognizably "human" and thus smaller than giant film stars, here and elsewhere). Charlene (and Adams who plays her) and Micky (and Wahlberg who plays him) are constantly drowned out by the cacophony of Much Bigger Personalities surrounding them. It's hilarious how often they both just shut right down in the center of a scene with an 'I give up' pout. And they're the "Stars" for lack of a better word!

No, no.

The best element has to be the idiosyncratic humanity that director David O. Russell keeps breathing into the proceedings. By all rights, The Fighter ought to feel far more generic than it does; make no mistake, this is a "true story" inspirational sports biopic. Russell keeps finding ways to vary the tone, play with the moodswings (even perpetually "on" people like Alice & Dicky have quiet days) and have fun with the framing, which generously allows the orbiting cast members to contribute to the movie as well (the standout being Jack McGee as Alice's impressively sturdy husband George). Sports movie fans won't like the film quite as much, one suspects, since the boxing scenes are arguably the most generically executed part.

And then there's the subplot involving the making of the unflattering HBO documentary on Dicky "High on Crack Street" (1995). Dicky willfully deceives himself about it but the doc scenes gives the film tremendous tragicomic boost.

There's also a choice scene in which Micky & Charlene go to the movies and... well, I don't want to spoil it.

David O. Russell loves a rangey ensemble.
 Oh wait, I know.

My favorite thing is the clown car chorus of Dicky & Micky's trashy big haired sisters (John Waters will be green with envy). There are so many of them. They're the most abrasively comic gaggle of sisters since the perpetual assault of Adam Sandler's siblings in Punchdrunk Love.

Or. Well...

The best thing might be the way The Fighters manages to slide so easily into David O. Russell's undervalued filmography even though it's much less original than his other films. When some auteurs make stabs at mainstream genres or popular appeal they lose themselves. Such is not the case here. Russell is still in love with the juggling act of impossibly noisy mixes of disparate acting styles (Flirting With Disaster, I Heart Huckabees), he's still fond of Oedipal undercurrents (Spanking the Monkey, Flirting...), he can still turn a film on a dime from comedy to 'wait, that's not funny' disturbing (Three Kings, Huckabees)  and he's still just about the only director who Mark Wahlberg should ever work with (though, that said, "Micky Ward" has nothing on Wahlberg's Kings or Huckabees performances... the character's too much of a cypher this time.)

But no, it's not that. It's... NO. 

No. No. No. You have to stop somewhere.

Needless to say, The Fighter is incredibly watchable. It's a solid good time at the movies. More importantly, it's a total K.O. for fans of Bale, Leo and O. Russell. A-/B+

Friday, September 17, 2010

Yes No Maybe So: The Fighter

Our first glimpse of the highly buzzed David O. Russell boxing picture The Fighter. If it becomes a major player at this year's Oscars I want y'all to remember that I believed it would happen first. Toot Toot. (That was my own horn).



And now the patented foolproof system for judging our own reaction to the trailer: Yes, No, Maybe So™. Join us with your own in the comments.

First things first: It seems obvious that this film will live or die on the chemistry between its central brothers, boxer Mickey (Mark Wahlberg) and his trainer (Christian Bale). It seems obvious from the trailer that their relationship could well float like a butterfly and sting like a bee or whatever the hell boxers are supposed to do. Maybe Wahlberg is the type of performer who has to have a strong director to be properly called an actor -- but that question of his ability is already solved by reteaming him with David O'Russell who is already responsible for his best performance (I Heart Huckabees). Plus we'd like Christian Bale to stop doing these crazy things to his body so maybe mass acknowledgement that he's a good actor will dampen down that particular self-destructive urge for awhile?


On the other hand, haven't we seen enough boxing pictures? Isn't it the #1 most populated sport within the movies -- you'd think there'd be boxing gyms on every corner of every street to meet the need. Boxers are like hitmen: way more prevalent in the movies than they are in real life. But there will be blood... in the movies. Since we've seen so many rise and fall and rise again biopics and so many boxing pictures, what could this possibly add to the bloated over populated genre? I fear it looks a smidge generic... at least visually. Not that you can always tell from a trailer.

The cast sounds good on paper but how do they all come together onscreen? It's possibly delicious that there will be a catfight of sorts between Mickey's mom (Melissa Leo) and his girl (Amy Adams) but it also just might be typical Hollywood poverty porn. You know how they love the 'We're going to Disneyland!' white trash families the movies... or maybe I'm just thinking of the last Oscar baiting boxing pic. So, to make a long story short: I knew that both Leo and Adams were in the movie but who expected that the movie would contain girlfights? Haven't we all wanted to see Amy Adams test her range a little ever since her triumph in Enchanted? So why am I a little worried about her in this context.

How about you?

The Fighter opens in December.
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Friday, June 18, 2010

Yes, No, Maybe So: Conviction (née Betty Anne Waters)

First things first, changing your movie title from something very specific like Betty Anne Waters to something as generic as Conviction is not a good sign. Searching for Conviction on IMDb will get you several films, theatrical/dvd/made-for-TV. Searching for Betty Anne Waters gets you just one. Are they scared of people thinking "ewww, it's a girl's movie!" or maybe "Is this a sequel to Amelia? That sucked" or what?

But here's the trailer.



So here's where we break it down.

Yes, no, or maybe so?

The supporting cast is jam-packed with good actors: Melissa Leo - sure okay; Sam Rockwell - yes, please; Minnie Driver -why the hell not?!; Juliette Lewis -Yes, please x 10. And wherever I can get her which isn't on silver screens that much. I had all but forgotten that she had a role in this film. I never knew, even before the forgetting, that it would a real role, and not some throwaway part. But she's even name-checked in the trailer and with her Academy Award Nominee status no less. Yay and also Wow because that doesn't happen much. With all of these good actors on board, maybe they'll all escape the typical "I'm poor! Listen to my weird townie/rural accent!" actor's trap. An accent is not a character.

You're
smart.
You'll
know
that I
don't have
to explain
myself here.
Kapeesh?

I don't think there's enough films made about brothers & sisters and their unique bonds. I really don't. Usually if you see a film about siblings it's almost always brothers with a random sister act hitting us now and then. I'm always curious to see if actors can pull off a familial bond. Most of the time this game of pretend is no more than adequate but when something really clicks between two actors in terms of family chemistry, it can be truly potent stuff. I'm hoping Swank and Sam pull it off since the whole film will kind of depend on it.

I suppose I'm a "maybe so" based solely on Juliette Lewis and Oscar interest. But I'll be an immediate "no" with mediocre reviews. I really can't be bothered with courtroom dramas unless the reviews are strong. I personally think it's the genre that's most "dead" onscreen. As in, why is someone making this movie? They'd better have a damn good reason and explain it with some cinematic zing! But every once in awhile there's a great one (see Erin Brockovich)

This is neither here nor there but the film is directed by Tony Goldwyn, grandson of legendary studio mogul Samuel Goldwyn. You might not know Tony's name but you surely know his face. He's that vaguely eyebrow-less guy who Hollywood always wants you to loathe and also loathe yourself for loving because he's super attractive.


Hey, it's a niche. An actor's gotta work.

But is it really fair to hate on him for killing his best friend to get into Demi Moore's pants? Because who wouldn't have offed their buddy for Demi circa 1990? I mean, cut a guy some slack. It's Demi.

Goldwyn A.D./B.D
before and after psychoanalyzing one Dexter Morgan

I've been watching Dexter lately on Netflix Instant Watch (that obsession has cooled a bit). Goldwin directs multiple episodes and in one he even directs himself as a psychiatrist who kills off powerful women after reducing them to hot messes with a lethal combo of bad therapy and drugs. [Why are psychiatrist always evil in movies? Discuss.] Naturally, Dexter cuts him up into little itty bits.

Goldwyn previously directed the critically well received A Walk in the Moon (1999) but, alas, Conviction (née Betty Anne Waters) doesn't star Diane Lane and Viggo Mortensen.

Are you a yes, no or maybe so?
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Hilary Swank

Friday, April 30, 2010

Red Carpet Lineup: Tribeca Blowout

red carpet lineup. random celebs who've been out and about this week...

With Tribeca handing out their awards last tonight and me coming back to life (things have been crazy) I thought we'd talk about some people attending New York's glitzy festival. I'm asking a comment question in red for each of them because I'm "reader discussion guide" annoying like that. Maybe I should have been a T.A.? Tribeca doesn't have the same prestige or art-driven mentality as the far older New York Film Festival (always in the fall) but it does pack theaters all over town, offer up a diverse 'something for everyone' slate and bring out the celebrities in droves. To hawk their films. Though I did see Ben Stiller and Denis Leary as audience members at the religious satire The Infidel.

from left to right
  • Ellen Barkin plays a sullen drug addict in The Chameleon and she'll start her Shit Year at Cannes next month in the Directors' Fortnight lineup. Is her career revving back up or is this another Oceans 13 false alarm. Do you care?
  • Mark Ruffalo seems to be letting himself go. Maybe it's just a 'between projects' kind of thing. Though, when is he between projects? Always working. I'm already stealing myself for disappointment if he doesn't get the credit he deserves for sly great work in The Kids Are All Right. Will he ever be Oscar nominated?
  • Kirsten Dunst is on the comeback trail despite being only 28. Today is her birthday! She was at Tribeca because she directed the short film Bastard. Are you rooting for her comeback?
  • Melissa Leo can't say no. That's my theory because she's made 15+ movies since Frozen River (2008) -- no joke -- and she's in two miniseries this year too (including Todd Haynes' Mildred Pierce). Should she be saying yes to everything? Riding that Frozen River momentum til it stops paying dividends.
from left to right
  • Andy Serkis came to town with his BAFTA nominated star turn in the rock bio sex & drugs & rock & roll. I wondered a few times if he could get any Oscar traction for it. Pro: there's the disability factor AND the biopic factor. Con: It's probably an unfamiliar rock story to most AMPAS voters and they like familiar. I admit I didn't know the story either. Do you know Ian Dury and The Blockheads?
  • she who must not be named was in NYC for My Own Love Song. You know how I felt about the trailer but believe me I don't want to be this frightened to go near her work. In all honesty I was really hoping to get back on board but then came that trailer. I even tried to give her a new nickname Zeéeeee which is vowel-accurate and friendly-like. Are you rooting for her comeback?
  • Christy Turlington is my favorite model of all time. But I realized sitting in the audience of her new documentary that it's weird to have a favorite model of all time. Because what can you do other than look at them? With favorite actors there's all sorts of imagination connection, storytelling, catharsis, etcetera. There I sat thinking "she's pretty" and my thoughts pretty much ended there. Unlike many of her supermodel peers from the 90s, she didn't try acting. But after marrying Ed Burns she is trying filmmaking. For a good cause though! Visit the website every mother counts. Have you a favorite model of all time ever?
  • Patricia Clarkson starred in a travel drama called Cairo Time in which she misplaces her husband in Egypt. Somehow I missed it even though I love my Patty and also enjoy her co-star Alexander Siddig. Bad planning me. Why do people go to the desert on vacations?

from left to right
  • Amanda Seyfried was starting her Letters To Juliet tour. Dominic Cooper walked her down the aisle -- I mean the red carpet -- for the premiere. Do you like them as a couple or do they give you painful flashbacks to Mamma Mia?
  • Guy Pearce should maybe be hired for Christian Bale's health scare roles. I'm just sayin'. He was in town for a special screening and discussion of Memento. Do you love Memento?
  • Sissy Spacek was promoting Get Low. I didn't like the movie -- which I saw before the festival and which most people do like for Oscar noms -- but it sure was nice to see her again in a substantial role. Still waiting for another In the Bedroom, though. What's your favorite Sissy? Other than Carrie I mean.
  • <---Brian Geraghty was the unofficial poster boy of the 9th annual Tribeca Film Festival. He was a home invader in the erotic thriller Open House, a muscley redneck brother-in-law in The Chameleon and he also appeared in Kiki's short Bastard. It's like Melissa Leo's Frozen River longtail... only with The Hurt Locker. Thoughts?
Finis.
* Renée Zellweger