BIFA: The King's (Acceptance) Speech and Other Oscar Matters

You guys. I'm so not (quite) ready for this. It's only November 1st and in English language cinema we've already had at least three awards lineups outside of the film festivals: NY's Gotham Awards, Australia's AFI, and now BIFA... which translates to the British Independent Film Awards.

BIFA considers Oscar-buzzing Lesley Manville as "Supporting"

It will surprise virtually no one that the Oscar hopeful Brit films like The King's Speech (and all of its actors), Made in Dagenham and Another Year are in play for various prizes. It may surprise some that the indifferently received Never Let Me Go, the divisive Kick-Ass, and the largely undiscussed Brighton Rock received multiple nominations as well.

A complete list of nominees (with Oscar-adjacent comments) follows after the jump but I shan't clog the main page with these über long lists that each awards groups hands out.

BEST BRITISH INDEPENDENT FILM

• 
Four Lions

• Kick-Ass

• The King’s Speech

• Monsters
• 
Never Let Me Go

Interesting that Another Year did not make the "Best Film" list, despite important nominations elsewhere. BIFA has no problem with "genre" films as evidenced by the inclusion of both Monsters & Kick-Ass. I'm sure there will be pockets of online rejoicing if this film gets an awards run. I'd like to kick the ass of anyone who votes for it though. Metaphorically speaking! I'm mostly a pacifist. Plus an 11 year-old girl could probably kick my ass in real life, even if she didn't have Hit Girl's training.

BEST DIRECTOR


• Mike Leigh - Another Year

• Matthew Vaughn - Kick-Ass

• Tom Hooper - The King’s Speech

• Gareth Edwards - Monsters

• Mark Romanek - Never Let Me Go

Leigh and Hooper are safely in the hunt for Best Director Oscar nominations. The rest of them, well, at least they have this homegrown honor to brag on.

BEST DEBUT DIRECTOR [THE DOUGLAS HICKOX AWARD]


• Debs Gardner Paterson - Africa United

• Clio Barnard - The Arbor

• Rowan Joffe - Brighton Rock
• 
Chris Morris - Four Lions

• Gareth Edwards - Monsters

I was confused about Rowan's nomination here until I remembered this wasn't Roland Joffe but his son. Clio Barnard (pictured left) recently on "best newcomer" at the  BFI London Film Festival for the same film. It's a documentary that's also apparently an acted biopic (it's one of those uncategorizables) about the playwright Andrea Dunbar and her experience growing up in a housing project in Northern England.

BEST SCREENPLAY


• Jesse Armstrong, Sam Bain, Simon Blackwell, Christopher Morris - Four Lions

• Jane Goldman & Matthew Vaughn - Kick-Ass

• David Seidler - The King’s Speech

• William Ivory - Made In Dagenham

• Alex Garland - Never Let Me Go

BEST ACTRESS


• Manjinder Virk - The Arbor

• Ruth Sheen - Another Year

• Andrea Riseborough - Brighton Rock

• Sally Hawkins - Made In Dagenham

• Carey Mulligan - Never Let Me Go



Good on Ruth and Sally who are both subtly fantastic in their movies.

BEST ACTOR

Colin Firth probably won't stutter during his Oscar acceptance speech

• 
Jim Broadbent - Another Year

• Riz Ahmed - Four Lions

• Colin Firth - The King’s Speech
• 
Scoot McNairy - Monsters

• Aidan Gillen - Treacle Junior

I suspect this is the only place we'll see honors for Jim Broadbent because Ruth Sheen has the screentime in Another Year and Lesley Manville the showiest character. More pointedly: anyone wanna wager how many Best Actor prizes Colin Firth is going to have to accept this year.... 5? 10? 15? 20? 25? All? I always forget to count but I think there's something crazy like 30+ prizes one can win during precursor and Oscar season.

BEST SUPPORTING ACTRESS


• Lesley Manville - Another Year

• Helena Bonham Carter - The King’s Speech

• Rosamund Pike - Made In Dagenham

• Keira Knightley - Never Let Me Go

• Tamsin Greig - Tamara Drewe

Interesting that in the two "local" awards so far (this and the AFI) we've seen Oscar contenders show up in the opposite category in which they've been pegged for Oscar consideration. It's safe to assume that Jacki Weaver would only be Supporting in her American awards run (despite the "lead" vote in Australia, where she's "a national treasure" according to her director and co-stars) but Manville could obviously go either way, depending on how the Another Year campaign plays out. The most interesting inclusion here is Rosamund Pike. She has a couple really great scenes in Dagenham -- and was my favorite supporting actress in the film -- but I had expected that Miranda Richardson, a more well known 'prestige' actress, would be the one to win honors and Oscar traction. Maybe not?

BEST SUPPORTING ACTOR


• Kayvan Novak - Four Lions

• Guy Pearce - The King’s Speech

• Geoffrey Rush - The King’s Speech
• 
Bob Hoskins - Made In Dagenham
• 
Andrew Garfield - Never Let Me Go



<-- Hi, Kayvan! Nice to meet'cha. About this list: I'm pleased for Garfield. As you know, I really loved him in that movie. Meanwhile: This is the first memory jog I've been given that Guy Pearce is in The King's Speech since all the buzz and the trailer attention and whatnot is on the central three characters (Geoffrey, Helena and Colin).

MOST PROMISING NEWCOMER

• 
Manjinder Virk - The Arbor
• 
Andrea Riseborough - Brighton Rock

• Tom Hughes - Cemetery Junction
• 
Joanne Froggatt - In Our Name
• 
Conor McCarron - Neds

Riseborough (pictured right in Toronto -- must have been a crazy year for her) was amazing in Never Let Me Go with almost nothing to work with and also highly watchable in Made in Dagenham in another sideshow role so I'm curious if she's even better in Brighton Rock with a big meaty role? Is more truly more with Andrea? I'm intrigued.

BEST ACHIEVEMENT IN PRODUCTION

• 
The Arbor
• 
In Our Name
• 
Monsters

• Skeletons

• Streetdance 3D

RAINDANCE AWARD

• Brilliant Love
• Jackboots On
• Whitehall Legacy
• Son of Babylon
• Treacle Junior

BEST TECHNICAL ACHIEVEMENT


• The Arbor - Sound - Tim Barker

• Brighton Rock - Cinematography - John Mathieson

• The Illusionist - Animation - Sylvain Chomet

• The King’s Speech - Production Design - Eve Stewart

• Monsters - Visual Effects - Gareth Edwards



BEST DOCUMENTARY


• The Arbor
• 
Enemies of the People
• 
Exit Through the Gift Shop
• 
Fire In Babylon

• Waste Land

BEST BRITISH SHORT

• 
Baby

• Photograph Of Jesus

• Sign Language
• 
Sis

• The Road Home



Wow. I've actually seen one of these. Photography of Jesus, about photo archive requests, is cute and interesting and well animated. You can watch it here. Better yet, it doesn't outstay its welcome (which is always a plus whether we're talking short or feature length films).

BEST FOREIGN FILM


• Dogtooth
• 
I Am Love

• A Prophet

• The Secret In Their Eyes

• Winter’s Bone

An odd mix of last year's Oscar nominees (Prophet, Secrets), a current submission (Dogtooth) and two directorial feats that are strangely mostly discussed only in terms of their fine leading actresses (Love, Bone).

NOT YET ANNOUNCED
The Richard Harris (Outstanding Contribution Award), Variety Award and Special Jury Prize have not yet been announced.

And there you have it. What do you make of all of this?
*

Royal Shooting.

Jose here.

I've always wondered if Madonna shouts "Vogue!" instead of "action" when she's directing.

And you can't blame me!
<--This picture of hers, as she began shooting W.E last week in London, totally screams "strike a pose" huh?
We have discussed this movie before but in case you need a quick pick up, the film centers on the affair between American socialite Wallis Simpson and King Edward VIII.
Yet instead of going for a straightforward biopic thing, the Queen went for a Julie and Julia twist in which a modern woman (played by Abbie Cornish) looks for inspiration in the royal scandal to help her decide between two men in her life (one of them being the constantly interesting Oscar Isaac).

The biggest change in the movie was the news that Vera Farmiga, who was set to play Wallis, dropped out due to her pregnancy.
But never one to wait for anyone (time goes by so slowly for those who wait...) Madge went ahead and cast a practically unknown actress by the name of Andrea Riseborough.

After thinking how weird this casting was, I actually took a moment to look Andrea up and lo and behold,


Andrea and Wallis

At least we have the looks alright!
Andrea has won a BAFTA TV award, two Ian Charleson awards and has appeared in small parts in movies like Happy-Go-Lucky and Venus (where she played a character merely listed as "actress") this could be her big movie break. She will also appear in the film adaptation of Never Let Me Go later this year.

Whether you like her or not, it can't be said that Madonna doesn't have drive. The film will feature costumes by John Galliano, a screenplay by Alek Keshishian who directed Truth or Dare (Madge's best film) and who obviously has a keen eye for exploring the most intimate moments in a celebrity's life.
If anything in W.E. slightly recalls the magic between Madge and Warren Beatty for example, we're going to be onto something here...

Dear UK readers, should we be excited about Andrea in this movie? Is she a worthy replacement for Farmiga?
Is anyone else actually excited about this movie? Or am I alone in this?